Hari Hara Veeramallu Movie Review

After a long gap, Pawan Kalyan returns with a straight Telugu film Hari Hara Veeramallu, following his remake streak with Vakeel Saab, Bheemla Nayak, and Bro. Produced by A.M. Rathnam, the film is directed by Krish Jagarlamudi in collaboration with Jyothi Krishna. Set in a historical backdrop, the film finally hit the screens today after multiple delays.

Plot Summary:
Set in the 16th century, the film unfolds during the reign of Aurangzeb (played by Bobby Deol) in Delhi and the rule of the Qutb Shahi dynasty in Golconda. As Aurangzeb suppresses Hindu traditions, the famous Koh-i-Noor diamond surfaces in Kollur and makes its way to the Mughal treasury in Delhi.

Amidst this, a Brahmin couple deeply devoted to Sanatana Dharma gives birth to a son who grows up to be Hari Hara Veeramallu (Pawan Kalyan). Skilled in diamonds and their worth, Veeramallu robs them and uses the wealth to help the poor. However, local rulers brand him a thief, though they secretly fear his courage and valor.

Golconda Sultan Tanisha tasks Veeramallu with retrieving the Koh-i-Noor from Aurangzeb. Veeramallu agrees, but he also vows to rescue Panchami (Nidhhi Agerwal), a captive under Mughal control. Who is Panchami? Will Veeramallu succeed in rescuing her? What drives him to accept the Koh-i-Noor mission? These questions shape the rest of the story.

Analysis:
The film revolves around an intriguing premise: a diamond thief from a remote village taking on the mighty Mughal emperor Aurangzeb. The director attempts to weave a story about Veeramallu’s journey and the obstacles he faces while confronting oppressive empires and fighting to protect Sanatana Dharma.

The first half is focused on Golconda, while the second half shifts towards Delhi. The film tries to balance heroism and villainy, but while the core concept is interesting, the scene execution lacks focus and consistency. Many scenes start strong but trail off without proper resolution.

The action sequences were expected to be a highlight, especially given the title. However, they aren’t designed innovatively. The romantic track between the lead pair also fails to engage. Characters like Vissanna, Appanna, and Subbanna, meant to support Veeramallu, don’t contribute much—neither to the plot nor for comic relief.

Performances:
Pawan Kalyan stands out in his role, though inconsistent appearances—clean-shaven in some scenes and bearded in others—distract slightly. Bobby Deol leaves a solid impact with his unique style. Apart from these two, no other character makes a significant impression.

Technical Aspects:
The direction and screenplay needed more refinement. The sets and CG work fall short of expectations. M.M. Keeravani’s background score fits well, and the song "Kollagottinadhiro" is energetic. Cinematography by Manoj Paramahamsa and Gnana Shekhar is visually pleasing. Praveen’s editing could’ve been tighter—especially the Pulimeka fight and the Panchami rescue scene, which feel overextended. The dialogues also don’t fully capitalize on Pawan’s signature style.

Final Verdict:
Hari Hara Veeramallu had the potential to be a grand historical action drama. While the concept is strong, the lack of coherent execution weakens its impact. The film relies heavily on scale and star power but doesn’t fully deliver on narrative depth. Ultimately, it might only appeal to Pawan Kalyan fans for his screen presence and aura, rather than the film as a whole.