'Gurram Paapireddy' Movie Review

Introduction:
Following the success of films like Jathi Ratnalu, Mad, and Mad 2, the Telugu film industry has seen a rise in similar genre films. Gurram Papireddy is one such attempt. Directed as a dark comedy thriller, the film stars Naresh Agastya, Faria Abdullah, Jeevan, Rajkumar Kasireddy, and Vamsidhar Goud in key roles. With an intriguing title and a mix of comedy and twists, does this film manage to entertain the audience? Let’s find out in this Gurram Papireddy Movie Review.

Plot Summary:
Gurram Papireddy (Naresh Agastya) fails in an attempt to rob a bank. As part of a new plan, he deliberately gets himself admitted into the Erragadda mental hospital. There, he teams up with Saudamini (Faria Abdullah), a nurse working at the hospital, to execute a money-related scheme.

As part of the plan, they decide to dig out a dead body from a graveyard in Srisailam and place it in the grave of Kalinga Pothuraju at a cemetery in Srinagar Colony, Hyderabad. To accomplish this, Papireddy lures Goyyi alias Kalinga Gavvaraju (Jeevan), Military (Rajkumar Kasireddy), and Chilipi (Vamsidhar Goud) with the promise of money. What challenges does this gang face while attempting to exchange the bodies? What is the connection between this story and the Kalinga kings? And who exactly is Wood Raju (Yogibabu)? These questions form the rest of the story.

Analysis:
Gurram Papireddy is a dark comedy thriller that relies heavily on confusion comedy and twists. The director’s intention is clearly to entertain the audience through an unusual narrative style. While the film feels slightly boring and shaky at the beginning, interest gradually builds once the story settles in. From there, the narration moves forward with moments of humor and unexpected twists.

The formation of the gang by Papireddy and Saudamini and the plot they devise is engaging. The way the story is linked to the Kalinga dynasty adds an entertaining touch. Although the first half, especially the initial 30 minutes, feels slow, the narrative gains momentum later. The interval twist successfully creates curiosity about the second half.

However, the second half drags in parts, particularly due to some courtroom scenes. Brahmanandam’s role as district judge Vaidhyanathan attempts to generate humor, but it does not fully work. On the brighter side, the graveyard sequences involving the exchange of dead bodies provide decent comedy. The director focuses more on twists to thrill the audience, but if a few more comedy scenes had worked better, the overall pace would have improved. Excessive confusion in the screenplay may feel burdensome for some viewers, becoming a drawback. Still, the climax portions offer satisfaction to the audience.

Performances:
Naresh Agastya delivers an engaging performance as Gurram Papireddy, impressing with a role that has multiple shades. Faria Abdullah deserves special mention for her performance as Saudamini. She is among the few Telugu heroines who can effectively pull off comedy roles. Her expressions and dialogue delivery add significant value.

Jeevan fits well into the role of Goyyi with his natural acting style. Brahmanandam plays a crucial role in the film and provides entertainment as a judge. Yogibabu’s role is very limited in screen time. Rajkumar Kasireddy and Vamsidhar Goud entertain with their natural performances. After a slightly weak start, the director manages to steer the story effectively, showcasing his potential. Music, cinematography, and production values are decent.

Technical Aspects:
The direction focuses on maintaining suspense through twists, though the screenplay becomes overcomplicated at times. Cinematography and background score support the mood of the film adequately. Editing could have been sharper in the second half to avoid lag. Overall technical values are acceptable for this genre.

Final Verdict:
For a few laughs and a few twists, Gurram Papireddy is watchable. For audiences who regularly enjoy light-hearted entertainers in theatres, this Gurram Papireddy Movie Review concludes that the film works as a time-pass entertainer.